In The News: College of Fine Arts
Sick of your selfie self yet? Likely not. The Museum (and I use the term loosely) of Selfies opened last year in Hollywood as a place for anyone to Insta indulge. Now a second site will open in the Miracle Mile Shops on the Las Vegas Strip on Oct. 25.
Despite the allure of senior communities that offer a surfeit of amenities, such as pools, gyms, coffee bars, and cooking classes, most older adults—76 percent of Americans age 50 and older—want to remain in a home throughout their golden years, according to an AARP survey.
I show up while a workshop is in progress at the back of Core Contemporary. The artist Sapira Cheuk is teaching some beginner techniques of Chinese brush painting to local Las Vegans. The participants are intent on painting their own inky bamboo gardens.
Vinny Adinolfi plays a game called, “What would Wayne do?” It’s a reference to big decisions, with Wayne Newton in the pivotal role.
Today we’d like to introduce you to Milena Viana.
The past few years, I’ve gotten into exploring how to apply creative skills into special interests like designing spaces and baking pastries. I love the challenge of finding solutions within lessons of a problem, and I’ve found it imperative to find resilience in order to shift my attitude to see problems as opportunities.
Fun. Excitement. Indulgence. Relaxation. Over the years, Las Vegas has prided itself on giving visitors an anything-goes escape they can’t find anywhere else on the planet. And while the city still delivers on that promise, it seems Vegas is cornering the market on something totally new: Inspiration.
Aware that the city where we live is often portrayed as a glossy, one-dimensional place, we looked into the museum collection for work that suggested the opposite—roughness, surprise, and contrast. Dry Wit: Artworks from the Collection of the Marjorie Barrick Museum of Art began to evolve.
Tim Bavington hit me with flowers. With seven-foot bouquets of flowers, to be precise, smack-dab in the middle of two large paintings on the wall of his downtown Las Vegas studio.
It’s clear that, by the numbers at least, the business of classical music has been in a heap of trouble for some time; what is less clear is why. Pundits from different corners of the arts world have no shortage of explanations or theories about what has most contributed to the genre’s decline in cultural relevancy. (British novelist Kingsley Amis once wrote that late 20th century classical music is to blame, asserting that the modern symphony has “about as much chance of public acceptance as pedophilia.” Ouch.)
The word “anxiety” gets thrown around a lot these days, and I admit, I’ve been a little dismissive. I’d think to myself, “Don’t we all get nervous now and then? What’s the big deal?” Then, this year, I experienced a series of panic attacks that knocked me right off my high horse.
Each year in September, Metropolis dives deep into the world of textiles, profiling industry leaders, surveying techniques, and showcasing radical new projects. Here, we highlight five artists pushing the boundary of their craft.