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College of Fine Arts News

The College of Fine Arts provides an academic experience that heightens awareness of the physical, intellectual, and cultural world. We diligently prepare students for professional employment and/or post-graduate study in their artistic area.

Current Fine Arts News

collage of BTS-themed artwork
People |

With an artist's attention to detail, the administrative assistant and BTS 'stan' leaves an early impression on on her Lee Business School colleagues.

group of people stand in front of the Sphere
Arts and Culture |

Students receive scholarships while their artwork is run in rotation throughout the summer on the world's largest LED screen.

Josh Hawkins, UNLV
Campus News |

News highlights featuring UNLV students and staff who made (refreshing) waves in the headlines.

drawing of two dancing figures
Arts and Culture |

The season celebrates where artistry and choreography come together at the epicenter of Las Vegas motion.

colorful artwork on utility box in front of apartment complex
Business and Community |

Designs on utility boxes at The Degree were created by College of Fine Arts students.

Las Vegas Sphere featuring the red, white, and blue of U.S. flag
Arts and Culture |

There are more than two dozen UNLV entries in the college division of the contest. Voting ends on June 5, 2024.

Fine Arts In The News

Washington Post

Brutalism, the minimalist architectural style that takes its name from béton brut (French for “raw concrete”), might as well describe the violent reaction it inspires in some people. That’s especially true in Washington, where the style is widespread — and widely despised. A 2023 analysis by the British building materials company Buildworld, for example, claims the FBI headquarters is the ugliest building in the country, and the second ugliest in the world.

Architect Magazine

Imposing monsters or iconic landmarks? That’s the question at the center of Capital Brutalism, a new exhibit at the National Building Museum exploring the architectural style that seemingly defines our nation’s capital.

Azure Magazine

Brutalist buildings have been called ‘imposing monsters’ and yet they feature prominently in the architectural landscape of the U.S.’s capital. The National Building Museum uses this perspective as a launching point for its new exhibition, Capital Brutalism, which opens on Saturday, June 1, 2024. Co-organized with the Southern Utah Museum of Art (SUMA), Capital Brutalism is the largest-ever survey of Brutalist architecture in Washington, D.C. and will be on display at the Museum through Monday, February 17, 2025.

Architectural Record

Two new exhibitions at the National Building Museum (NBM) in Washington, D.C., examine particular strains of Modernism in different places—and then wonder what could be or what might have been. Capital Brutalism looks at the architectural style that found fertile soil in D.C, in the 1960s and 1970s and later became the type of design the public loved to hate. Focusing on seven polarizing examples of Brutalism, it presents brief histories of these projects and then offers an alternative future for six of them. The other exhibition, Frank Lloyd Wright’s Southwestern Pennsylvania, shows a range of works designed by the architect from the 1930s through the 1950s in Pittsburgh and the area around Fallingwater, the landmark house he created for department store magnate Edgar J. Kaufmann. For five of those projects—ones that weren’t built—Skyline Ink Animators + Illustrators has produced animated films that depict what they would have been had they been realized.

U.S. News & World Report

If you ask Americans, the vast majority will say they want to live in their homes indefinitely. In fact, 95% of respondents to a 2024 U.S. News survey say that aging in place is an important goal for them.

Global Diaspora News

Walking along the edge of a seasonally dry lakebed on the eastern outskirts of Mexico City, there is near perfect silence except for the occasional airplane that flies overhead.

Fine Arts Experts

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Recent Fine Arts Accomplishments

Stefano Boselli (Theatre) published the article “Deliberate Starvation: Hunger Artists in Kafka, Różewicz, and Sinking Ship” in Global Performance Studies 6, nos 1–2 (2023): Hunger. The article explowes how a negative action, the decision to abstain from food, can be enacted on stage. Examining hunger as a conscious choice to avoid food for…
On June 22, Stefano Boselli (Theatre) presented the paper “Invisible Assemblages Made Visible: Hostile Actors and Dis-Connected Shows in Paris, 1970-1993" at the PSi Performance Studies international Conference #29 “Assemble! in London, UK. French theorists Gilles Deleuze and Félix Guattari describe the assemblage as follows: “a…
Susanna Phillips Newbury (Art) presented the invited lecture "Forensics: The Cultural Power of Art & Real Estate" at the MAK Center for Art & Architecture in Los Angeles on June 27, 2024. Los Angeles has long invested in contemporary art and real estate development as a long-term strategy for cultural growth. More than 70 years into…
Jerry Schefcik (Art), chair of the Nevada Arts Council Board, chaired the panel review of 85 Project Grant for Artist applications requesting a total of $249,692 in support of the production and presentation of individual artist’s projects including art exhibitions, performances, readings, concerts, the creation of art, portfolio building, and…
Stefano Boselli (Theatre) published the chapter on controversial French author Jean Genet in The Routledge Companion to Absurdist Literature, “the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor [Michael Bennett] and the contributors are world leaders in this ever-exciting genre…
Stefano Boselli (Theatre) published the chapter “Latin America” in the collection Pirandello in Context, edited by Patricia Gaborik for Cambridge University Press. Boselli speaks about the introduction of Pirandello’s plays to Latin America, which started after the controversial Italian success of Six Characters in Search of an Author (1921), then…