The white policeman stands in the center of the photograph, the German shepherd’s leash wound loosely around his left hand. With the right, the officer is reaching out to grab the cardigan of the young black protester, drawing him closer to the dog snapping viciously at his waist. The teenager’s eyes are cast down, a living symbol of nonviolence, his knee thrust forward as if to block the attack. Behind him on the street, other African Americans look on with alarm.

In this episode of The Jack Dappa Blues Radio Podcast, I speak to co-authors Dr. Tyler D. Parry and Dr. Chaz Yingling about their book in the works Slave Hounds, Abolition and The Americas.

Today, instead of discussing a new book, I am convening a “New Books in African American Studies Roundtable” to talk with two historians early in their careers about their recent transitions from graduate school into the professorate, and some of the scholarly and public projects they are developing at their respective institutions.

The Democratic base has been crying wolf in matters of racism and sexism.

As the Democratic nomination race shifts to the South and into states with more African American voters, the party’s white front-runners must directly confront the question of race and explain how their policies uplift black America. Each of them has been criticized for harboring a superficial understanding of American anti-blackness, if not manifesting outright racism.

This tactic enables conservatives to avoid addressing structural inequalities that still plague society.

This episode of Jack Dappa Blues Radio is part two of my discussion with scholar Tyler D. Parry on the role of the bloodhound before, during, and after slavery. He delves into the origins of the purpose this hybrid animal was created, where they were trained and how it's been utilized for centuries as a weapon against the freedoms and lives of the "Blues People" on America.

On this episode, I speak with Dr. Tyler D. Parry, professor of African American and African Diaspora studies at UNLV, about his latest project “Jumping The Broom: A Multicultural History.”