UNLV'S Oral History Research Center is embarking on a project tracking the history of sports in Las Vegas. "It's kind of hard not to think about sports when you think about Las Vegas right now," said Oral History Research Center Project Manager Stefani Evans.

The building that housed the Holy Cow Casino and Brewery, on the northeast corner of Sahara and the Strip, made Las Vegas history for a couple of big reasons.

As Sara told UNLV oral historian Claytee White, “From the day Roosevelt was elected we had a picture of him in our house. And I still have it in my house.”

In 1960, Dr. James B. McMillan served as president of the local Las Vegas NAACP, Branch 1111. In March of that year, he received a letter from the organization’s national office in New York — encouraging branches nationwide to elevate activities that would lead to integration of public accommodations. McMillan, using that same mode of communication, sent a letter to Las Vegas Mayor Oran Gragson — demanding integration of the Strip and Downtown in two weeks. McMillan clearly stated that if integration did not occur, the Black community would march down the Strip on the Saturday evening of March 26, 1960.

About half a block away from where a now-viral TikTok was filmed showing racist harassment against a Black man sits a state historical marker titled “African Americans and the Boston Saloon.” It details the story of William A.G. Brown — a freeborn Black man who, between 1866 and 1875, operated the Boston Saloon, one of the mining boomtown’s best known taverns. Decorated with intricate gas lamps and crystal goblets, the saloon offered an upscale atmosphere that contrasted the stereotypical image of a seedy saloon — even recognized by figures such as Mark Twain.

About half a block away from where a now-viral TikTok was filmed showing racist harassment against a Black man sits a state historical marker titled “African Americans and the Boston Saloon.” It details the story of William A.G. Brown — a freeborn Black man who, between 1866 and 1875, operated the Boston Saloon, one of the mining boomtown’s best known taverns. Decorated with intricate gas lamps and crystal goblets, the saloon offered an upscale atmosphere that contrasted the stereotypical image of a seedy saloon — even recognized by figures such as Mark Twain.

In 2002, hip-hop singer Mary J. Blige sang “Blue Suede Shoes,” a Carl Perkins song popularized by Elvis Presley, during the “Divas Live” special on cable network VH1. She later told the Atlanta Journal-Constitution: “I prayed about it because I know Elvis was a racist. But that was just a song VH1 asked me to sing. It meant nothing to me. I didn’t wear an Elvis flag. I didn’t represent Elvis that day.”

Frank Sinatra was certainly a driving force in the progress toward equality in Las Vegas. But contrary to a popular myth, the singer didn’t end the shameful legacy of segregation on the Strip. It took political action to do that. Around 1955, Sinatra refused to perform with the Rat Pack at the Sands unless the casino hotel allowed group member Sammy Davis Jr. to also stay there. In response, Davis was given his own suite.

It has been over five months since a gunman opened fire at the University of Nevada, Las Vegas, killing three professors. Now, the UNLV Oral History Research Center is launching a new project that hopes to "enhance the historical record around that day with first-hand accounts of the tragedy, campus and community response, and recovery efforts."

Professional sports in Las Vegas couldn’t be a hotter topic than it is today. But while locals and fans celebrate recent championships and successful events and look to future expansion, it’s easy to overlook the significant history of sports in the Valley and how we got here.

On a Sunday afternoon this month in North Las Vegas, Anna Bailey could be found at the back of the Aliante Casino, Hotel and Spa’s theater rehearsing her moves. Bailey, a dancer who has had a pioneering and historic career, had emerged from a half-century retirement to perform in a revival of “Follies.” Although you would never have guessed by watching her that the 97-year-old had not performed since the 1970s.

On a Sunday afternoon this month in North Las Vegas, Anna Bailey could be found at the back of the Aliante Casino, Hotel and Spa’s theater rehearsing her moves. Bailey, a dancer who has had a pioneering and historic career, had emerged from a half-century retirement to perform in a revival of “Follies.” Although you would never have guessed by watching her that the 97-year-old had not performed since the 1970s.