Assistant professor Christina Watanabe (Theatre) was featured as a guest on the popular podcast Light Talk, co-hosted by UNLV professor emeritus Brackley Frayer. In the podcast, she discusses her academic journey, challenges she has faced in the profession, and gratitude for her collaborators.

Adam Paul (Film), assistant professor, presented on a panel at the 4th Annual Humanities Podcast Network Symposium titled, "Podcasting as Artistry and Craft." Paul discussed his work on UNLV projects in the Departments of Film and Theatre, including the award-winning fiction podcast "POD115" and the recent film review podcast "The Film Dept.," co-…

Christina Watanabe (Theatre) designed the lighting for the DC-area premiere of Disney's Frozen at Olney Theatre Center in a new production that prominently features performers of color. Olney was selected by Disney as one of only a few regional theatres to access rights to this show. This production uses new and emerging automation…

Stefano Boselli (Theatre) published the article “Deliberate Starvation: Hunger Artists in Kafka, Różewicz, and Sinking Ship” in Global Performance Studies 6, nos 1–2 (2023): Hunger. The article explowes how a negative action, the decision to abstain from food, can be enacted on stage. Examining hunger as a conscious choice to avoid food for…

On June 22, Stefano Boselli (Theatre) presented the paper “Invisible Assemblages Made Visible: Hostile Actors and Dis-Connected Shows in Paris, 1970-1993" at the PSi Performance Studies international Conference #29 “Assemble! in London, UK. French theorists Gilles Deleuze and Félix Guattari describe the assemblage as follows: “a…

Stefano Boselli (Theatre) published the chapter on controversial French author Jean Genet in The Routledge Companion to Absurdist Literature, “the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor [Michael Bennett] and the contributors are world leaders in this ever-exciting genre…

Stefano Boselli (Theatre) published the chapter “Latin America” in the collection Pirandello in Context, edited by Patricia Gaborik for Cambridge University Press. Boselli speaks about the introduction of Pirandello’s plays to Latin America, which started after the controversial Italian success of Six Characters in Search of an Author (1921), then…

Stefano Boselli (Theatre) published the chapter, “Echoes of Theatre Past: Blasco Ibañez's El comediante Fonseca and Cozarinsky’s El rufián moldavo,” in the The Routledge Companion to Theatre-Fiction edited by Graham Wolfe. Boselli’s chapter examines El comediante Fonseca (Fonseca, the Actor, 1924) by Spanish author Vicente Blasco Ibañez (1867–1928…

Adam Paul (Film) published a paper and standalone podcast episode titled, "The Voice Actor and Their Double: Working as a voice actor and teaching voice acting in the age of AI voice cloning," in Volume 1, Issue 1 of Tradition-Innovations in Arts, Design, and Media Higher Education, a new peer-reviewed open access eJournal investigating artificial…

Dana Moran Williams (Theatre), is the first recipient representing the Fine Arts to have been named the Barrick Distinguished Scholar recipient in 23 years. This award recognizes faculty members who have established a record of distinguished research or demonstrated excellence in the area of creative activity. 

On October 26, Stefano Boselli (Theatre) presented the paper, “The Balcony, The Pope, and The Screens: Jean Genet’s Unsettling Perspectives on the Society of the Spectacle,for the “Drama and Society I” session at the PAMLA (Pacific Ancient and Modern Language Association) Conference “Shifting Perspectives” in Portland, Oregon. In his plays The…

Stefano Boselli (Theatre) published his monograph Actor-Network Dramaturgies: The Argentines of Paris, which provides key critical tools to significantly broaden the readers’ perception of theatre and performance history. In line with posthuman thought, each chapter engages Actor-Network Theory and similar theories to reveal a comprehensive range…